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Home > Ovidius Pictus: Afterlives of the Metamorphoses in Europe, from Books to the Arts
Ovidius Pictus: Afterlives of the Metamorphoses in Europe, from Books to the Arts. Supplementi (15/2023) Mostra a grandezza intera

 
 

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Ovidius Pictus: Afterlives of the Metamorphoses in Europe, from Books to the Arts. Supplementi (15/2023)

Il capitale culturale
Studies on the Value of Cultural Heritage

Giuseppe Capriotti, Fátima Díez Platas, Francesca Casamassima

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Table of contents
 
   PDF (English)
   pp. 5-7
 

Introduzione

Conspectu legar populi: An Introduction to the Iconic Life of the Metamorphoses in Europe and Beyond   
Francesca Casamassima, Fátima Díez Platas, Giuseppe Capriotti
PDF (English)
pp. 9-30
 

Section 1. Transformative Ovid: Metamorphoses in Medieval Manuscripts

The mythological image in the illuminated manuscript of the Metamorphoses from the Marciana Library (Venice. Marciana Library, Lat. Z. 449a)
Brianda Otero Moreira
   PDF (English)
pp. 33-67
Search of sources of Bersuire's Ovidius moralizatus after two illuminated passages
Pablo Piqueras Yagüe  
   PDF (English)
   pp. 69-104
A non-Ovidian myth in the Ovidius Moralizatus: the double parthenogenesis of Pallas and Vulcan according to Petrus Berchorius
Elena Moscara
PDF (English)
pp. 105-130
The representation of Bacchic festivities in the Middle Ages: The illuminated manuscripts of the Ovide moralisé and the Ovidius moralizatus
Patricia Meilán Jácome
PDF (English)
pp. 131-160
 

Section 2. Ovidian Materiality: Movable Metamorphoses

The iconography of the abduction of Proserpina in the main Italian versions of Ovid’s Metamorphoses printed in the 16th century
Ilaria Ottria
PDF (English)
pp. 163-191
What’s Love Got to Do with It? Ovid, the “Love of the Gods,” and Cinquecento Carved Cassoni
Bar Leshem
   PDF (English)
   pp. 193-224
Weaving Myths: Ovid’s Metamorphoses and the Labours of Hercules Tapestries in the Renaissance
Anne-Sophie Laruelle
   PDF (English)
   pp. 225-247
Ovidian Secrets: An Unknown 17th-Century Cabinet in Santiago de Cuba and the Illustration of the Metamorphoses
Fatima Diez Platas
PDF (English)
pp. 249-270
Narcissus and Echo in Liguria. The embodiment of Ovid’s Metamorphoses in Villa Durazzo Faraggiana di Albissola Marina
Rieke Dobslaw
PDF (English)
pp. 271-290
 

Section 3. European Ovid: Metamorphoses between Centre and Periphery

Identification and Transgressive Gazing: Paola Gonzaga’s Fontanellato Frescoes
Caroline Koncz 
   PDF (English)
   pp. 293-326
Ovidius painted and printed. The influence of Metamorphoses illustrations on two friezes in Marca di Ancona
Francesca Casamassima
   PDF (English)
   pp. 327-352
Prometheus in the Palazzo del Principe
Laura Stagno
   PDF (English)
   pp. 353-376
Ovid’s Metamorphoses in 17th- and 18th-Century Bohemia and Moravia
Radka Nokkala Miltova
   PDF (English)
   pp. 377-411
Expansion and theatricality: Ovid frescoes in the Ráday Mansion, Pécel
Gyöngyvér Horváth
   PDF (English)
   pp. 413-452
“Ovidius inter Sarmatas”. On the origins of Ovid’s popularity in Polish culture and art
Barbara Hryszko
   PDF (English)
   pp. 453-478
Ovid’s Legacy on Trial. Aristocratic Gender Roles in the Painted Vaults of Two Noble 18th-century Palaces in Macerata
Giuseppe Capriotti
PDF (English)
pp. 479-509
 

Section 4. Ovidian Polysemy: The Meaningful Search

Polysemic Hercules: Gustave Moreau & Ovid’s Metamorphoses
Erin Daly
   PDF (English)
   pp. 513-536
Hybris and Sacrificium. Aby Warburg and Ovid’s Metamorphoses in Imagery
Claudia Cieri Via
   PDF (English)
   pp. 537-552
Ecological Myth: Ovid and the Anthropocene in three examples of contemporary Danish art
Jonathan Barnes
   PDF (English)
   pp. 553-575
 
 Licenza Creative Commons edita dall'eum e gestita dall'Università di Macerata, Dipartimento di Scienze della formazione, dei beni culturali e del turismo, Sezione di Beni Culturali, piazzale Bertelli 1, 62100 Macerata, Italia.
  • Codice ISSN (on line) 2039-2362
  • Numero pagine 575
  • Formato 17x24
  • Anno 2023
  • The Journal web site: http://www.unimc.it/riviste/cap-cult

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